Jingna zhang biography templates

Indeed Zhang exhibits value for and understanding of the industry beyond her years, whether it be in the genre of fine art portraiture or of marketing. With the talent, the eye, and the attitude she has displayed, it is certain that Zhang Jingna would probably have at least twenty-six more years in the business. Julia Escano — Shoot The Frame.

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Jingna zhang biography templates: I was at the

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Jingna zhang biography templates: talking about this. Photographer/Art Director/Founder

In this Chinese namethe family name is Zhang. Chinese-Singaporean photographer. BeijingPeople's Republic of China. Medal record. Biography [ edit ]. Early life [ edit ]. Air rifle [ edit ]. Art school and photography [ edit ]. This section needs to be updated. Please help update this article to reflect recent events or newly available information.

May Collaborations, other interests [ edit ].

Jingna zhang biography templates: Bio. Born in Beijing and

Career [ edit ]. Intellectual property infringement of Zhang's work in Luxembourg [ edit ]. Awards [ edit ]. Exhibitions [ edit ]. Solo exhibitions [ edit ]. Group exhibitions [ edit ]. Books [ edit ]. References [ edit ]. Retrieved 8 April Archived from the original on 28 February Retrieved 12 August Singapore National Olympic Council. Archived from the original on 19 May Retrieved 13 August Archived from the original on 4 July Out of Order Magazine.

April I think the time in-between destinations was most jingna zhang biography templates for me. We didn't need to say very much to each other. Walking, observing, listening, waiting. Somehow I associate those walks with my time at Mont St Michel He taught me that it's alright to walk alone sometimes. Source: Catherine Edelman Gallery.

Philipp Bolthausen. Akzidenz currently living and working between Paris and New York. His education focused around art and communication studies in Paris and New York, where he lived and worked for many years before returning to Paris. He presently works as an art director for some of the mosthigh-end luxury brands worldwide. This background has a rooted presence in his work - in that he is less interested in the representational qualities of the photograph, focusing more on the exploration of the fringes of each terrain.

This focus stems from the will to not use photography as a traditional means of representation of reality but creating a platform for discourse and thought. John Martinez. John Martinez was first introduced to image making through cinema and subsequently got bitten by the photography bug while taking behind the scenes pictures on the set of his filmmaker friends.

From there, he fell in love with studio portraiture. The aim of every shoot is to meld his visual personality with the general essence of the sitter. By mixing those two elements, he is able to create images that hopefully exude a unique atmosphere. Andrew Keedle. Of all sizes and formats from 35mm to Ultra Large Format. Mainly black and white but dabbling with colour.

During the height of COVID I spent a considerable amount of time embracing Trichrome photography, the art of making colour images from black and white film. Plastic City This series is about trying to interpret familiar sights of the City of London in a way that hopefully makes the viewer pause in a moment of recognition and contemplation. Daily, vast amounts of people stomp through the City on their way to their workplace; focussed on their path, cocooned in their music and oblivious to their surroundings.

Some of those feelings come through in the images. Captured on my walks to and from the train station and the office, timed so that the early or late light gives scope for multiple exposures on my plastic, zero control film camera. Flip Schulke. He grew up in New Ulm, Minnesota. Schulke's nickname "Flip" came about from his interest in gymnastics.

He graduated from Macalester College, then moved to Miami. He taught briefly at the University of Miami, then began working as a freelance photographer. He worked for Lifeand covered a variety of events, including the Cuban revolution. Inhe visited and photographed the Berlin Wall. Schulke began photographing the civil rights movement in the American jingna zhang biography templates as early as He formed a bond with civil rights activist Martin Luther King, Jr.

King invited Schulke to photograph secret planning meetings of the Southern Christian Leadership Conference, though not all of the activists trusted him being there. They traveled together until King's death inwhich upset Schulke so much that he stopped covering the civil rights movement and began to work on more commercial projects. In all, he took around 11, photographs of King, including some of his funeral.

He also was a photographer for the Environmental Protection Agency's Documerica program in the early s. Schulke died on May 15, at age Source: Wikipedia My biggest problem with young photographers is that they don't think about context. They think about drama. You've got to know where to point your camera. Among them was American photojournalist Flip Schulke, who had visited the wall many times since it was erected in in an attempt to document what he described as "man's physical ability to build a bastion between himself and his own dignity, if he tries hard enough".

As he mingled with the crowd, he heard on their lips not a German protest song, but the famous American civil rights anthem "We shall overcome". It was a song he knew well. As a photojournalist in the s and s, Schulke captured many significant moments in the nation's struggle for civil rights in the s, such as the marches to end segregation from Selma to Montgomery, Alabama, and Martin Luther King's funeral in After the Berlin Wall went up inSchulke brought his civil rights experiences with him as he attempted to capture the wall's symbolic and physical power.

On one side it was bright and clean from the sun of freedom. On the other dark and bitter - the rot of slavery. He recalled how on the western side German children played tag in the shadows of tank traps while on the other side children stood "dull-eyed and pinch-faced in darkened doorways - wondering how one learns to laugh". As East German guards looked at him through their binoculars, Schulke observed recent East German escapees in West Berlin standing near the wall and signaling to friends and relatives back in East Berlin or waiting for relatives to appear.

Cole Weston. Cole received his first camera, a 4 by 5 Autograflex, from his brother Brett in Cole graduated with a degree in theater arts from the Cornish School in Seattle in and then served in the Navy during World War II as a welder and photographer. After his discharge from the Navy in Cole worked for Life Magazine. In he moved to Carmel to assist his father Edward.

During this time Eastman Kodak started sending their new color film, Kodachrome, for Edward to try out. In Cole began shooting his first color photographs of the magnificent Big Sur coast, Monterey Peninsula and central California. At this time he carried on his own portrait business while assisting his ailing father, who passed away in With his work in the theater arts Cole was a natural when it came to teaching and lecturing and his many students still comment on what a great workshop he gave.

He traveled throughout the United States, England, Europe, Russia, Mexico, New Zealand and the South Pacific photographing and inspiring others with his characteristic enthusiasm and charm. Cole had his first solo exhibition in San Francisco in Since then, his work has been featured in more than sixty exhibitions worldwide and has been collected by museums throughout the United States and Europe.

His work has been featured in numerous gallery shows and publications with three monographs and numerous articles having been published on his exquisite photography. Cole passed away from natural causes on April 20th, Cole Weston was a dedicated artist and master of fine photography. Gail Albert Halaban. She is noted for her large scale, color photographs of women and urban, voyeuristic landscapes.

She married Boaz Halaban on 8 June Her fine art photography has been internationally exhibited. The artist currently lives and works in New York City. Her urban exploration lies at the intersection of architectural photography and portraiture, presenting a holistic perspective of city life. Stylistically, the images go beyond realism, allowing the viewer to take in a full scene in focus unlike the natural ability of the human eye.

This formal device emphasizes both public and private realms, balancing details of personal life with broader contexts. After moving to New York City from Los Angeles inHalaban anticipated feelings of isolation and loneliness, yet instead found an unlikely sense of community. In particular, the artist recognized the millions of windows throughout the city as a key bridge between strangers.